About jazzinotes

jazzinotes is a reaction to a deficiency in the music industry.  Sheet music in the pop/rock/jazz business has in many ways left much to be desired:

  • Sheet music has for a long time been considered a bit old fashioned, and as such has been neglected by major publishers of sheet music or even outsourced to outside companies.  This has led to the fact that even for many popular songs there is either no sheet music in existence or the only sheet music available isn’t suited for practical use. This brings us to the next point.

  • The most common form of sheet music available for purchase in shops is found in songbooks in the form PVG, or Piano-Vocal-Guitar.  Such sheet music is comprised of three systems: voice, piano (right hand) and piano (left hand).  However, the piano parts have often little to do with what can be heard on the original recordings. The right hand often doubles the vocal part, resulting in something hardly recognizable when compared to the original.

  • Even for instrumental music, you often can’t find sheet music which really reflects the original recordings.  


jazzinotes wishes to address this situation by offering sheet music which either directly transcribes the original recording (called Note-for-Note), or as original compositions reflecting the exact ideas of the composer, or as arrangements sufficient to meet the practical demands of music-making. As such, the name ‘jazzinotes’ has a double-meaning: Jazz-in-notes and Jazzy-notes!

The quality of the jazzinotes sheet music is extremely high. That's why we are able to offer the jazzinotes guarantee.

Although the focus of jazzinotes is Jazz, many other genres are also represented. jazzinotes’ repertoire grows larger with every month, so it’s worthwhile to check in regularly to see what’s new!  You can also receive information about new releases by signing up for our newsletter.  Your subscription can be cancelled at any time.



When sheet music is corresponding to the original recording, the interpreter (artist) on the recording should be of central importance. However, in the sheet music industry, according to international law, only the composer and lyricist are entitled to royalties. The interpreters are completely left out.  jazzinotes intended to change this by paying royalties to the interpreters, too: at first 3%, then an additional 1% after every profitable year until it reaches a percentage of at least 7% (which is also the standard value given to authors of books in the publishing industry). But the effort for the jazzinotes administration to do this was enourmous and the sums to pay low. And most of the interpreters didn't answer to our requests for their account relationship. 2018 we had to accept that we couldn't fight against this unjustice as a small company and gave up our first idea. But the problem is still virulent and needs to be discussed. If you have any ideas: please contact us.



jazzinotes is a very small company:  a one man business.

über uns

Paul Riggenbach, born in 1960 in Bern, learned the craft of writing music through many different stations along his journey of musical experience: first as a music teacher, then as a copyist and arranger, later as a career pianist, and finally as a composer. His theoretical background can be attested by his PhD in musicology, which has also led to the publications of his writings in a series of books on music education by the publisher ‘Odradec’.

In the background there are a lot of people who are involved in the production and distribution of jazzinotes. You may read about this below



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